English Language Arts

As the nation's longest-running theatre of color and largest producer of Asian Pacific American (APA) creative work, EWP is committed to using the unique platform of theatre to tell multifaceted stories of the APA experience and develop new artists. The LA Times has described EWP as a model for organizations that generate support from a community, instead of relying on the success of a particular show.

Since 1999, the mission of FFM has been to train and educate today’s youth through musical theater as a means of inspiring creativity and the elevation of the human spirit, as well as an understanding of teamwork and collaboration. Incorporating cultural and historical context into each project, we seek to create a lifelong appreciation for the performing arts. These goals are made possible through tuition, ticket sales, donations and grants from LA County Arts Education Partnership Program and the California Arts Council.

teachers throughout Los Angeles and surrounding communities since 1995 and has had non-profit status since 2003. Research shows that children who experience quality language oriented activities demonstrate early development of literacy, fluency, and mathematical skills regardless of ethnic or socio-economic background (The Chicago Longitudinal Study, 2011). Studies also show that children who have a rich and varied language arts experience have an easier time mastering reading, comprehending information, developing creativity and increasing critical thinking skills.

MY OWN STORY is an autobiographical writing/storytelling/performing workshop for youth to creatively explore, write, and perform their own unique autobiographical life stories in the context of monologues, spoken word, and performance/theater. THREE LIVES is a one-man performance/theater show that tells the autobiographical tale of Alex Luu's escape from war-torn Saigon. The show is kinetic/comic/poignant, and addresses themes such as identity, assimilation, racism, and the multi-layers of the American Dream.

Inner-City Arts' mission is to engage young people in the creative process in order to shape a society of creative, confident and collaborative individuals. We provide arts classes and workshops for school-aged children, classroom teachers and school administrators. When budget cuts eliminated arts instruction from Los Angeles public schools in the late 1970s, it was up to local communities to fill the gap.

Johanna Smith is a Professor of Puppetry, Theatre Education, and Entrepreneurship at California State University, San Bernardino and the author of the award winning arts education text, Puppetry in Theatre and Arts Education: Head, Hands, and Heart (Methuen Drama). She has directed puppet shows that have taken her and her college students around the world, but she is just as happy playing with puppets in a room full of preschoolers. She believes in the power of laughter and creative re-use to inspire a love of learning.

Los Angeles Arts Group (L.A. Arts Group) is committed to excellence in arts education and believes the arts are powerful tools for expression and communication and vital to the development of every child. Our goal is to provide high quality, standards-based arts education for grades K-12 in creative environment that promotes collaboration and respect. Our programs aim to engage students, teachers and the community to provide learning in and through the arts. L.A. Arts Group consists of trained and experienced professional artists in dance, music, theatre and visual arts.

Each year we serve 20,000-27,000 youth ages 5-18. This year we have also renewed our family classic The Patchwork Girl of Oz, touring to NC, also sponsored locally by the Children's Literature Department of the LA Central Library. We also produce the annual San Pedro Festival of the Arts, which presents 20-24 professional dance companies. Thousands of sponsors include LA County Museum of Art, Mark Taper Auditorium, and Kidspace; we tour locally for the LA and SB County School Districts, expanding to 22 states, MX and Taipei.

In just less than three decades of existence, LA Opera has become, under the leadership of Eli and Edythe Broad General Director Plácido Domingo, the United States' fourth largest opera company and "...stands out as a newly important force in American Opera." (Mark Swed, Los Angeles Times). LA Opera created a sensation with its inaugural production of Verdi's Otello starring Plácido Domingo in 1986.